It influenced the next generation of animators such as the Fleischer brothers, Otto Messmer, Paul Terry, and Walt Disney. [53], As the film opens, McCay and friends suffer a flat tire in front of the American Museum of Natural History. Gertie the Dinosaur (1914). "[86] An ice cream shop in the shape of Gertie sits by Echo Lake in Disney's Hollywood Studios in Walt Disney World. Gertie - a friendly, and child like brontosaurus who obey's McCay's commands, though she's at times reluctant to do so. The earliest animated film to feature a dinosaur, Gertie was created by American cartoonist Winsor McCay. [35] Brothers Simon and Kim Deitch loosely based their graphic novel The Boulevard of Broken Dreams (2002) on McCay's disillusionment with the animation industry in the 1920s. [35] It appeared in movie theaters[41] in an edition with a live-action prologue, distributed by William Fox's Box Office Attractions Company from December 28. [20] Main production began in mid-1913. For reasons known only to McCay, he referred to his cartoon dinosaur as a Diplodocus, which is another sauropod genus entirely. The results leaned heavily toward the output of Warner Bros.’s Looney Tunes and Merrie Melodies series, and the work of … McCay's employer, William Randolph Hearst, was displeased with McCay's success outside of the newspapers, and used his contractual power to reduce McCay's stage activities. [15] His animation was criticized as being so lifelike that he must have traced the characters from photographs[16] or resorted to tricks using wires;[17] to show that he had not, McCay chose for his next film a creature that could not have been photographed. Gertie the Dinosaur might not have been officially the first animated cartoon, but it was without argument the first animated cartoon of any consequence. [92], 2018 reconstruction of McCay's vaudeville act. [47] Émile Cohl praised McCay's "admirably drawn" films, and Gertie in particular, after seeing them in New York before he returned to Europe. Gertie on Tour made 1921. The theatrical film is a modified verson of the act, with the films initial half being a life-action, and silent, introduction. Different accounts have given McCay's birth year as 1867, 1869, and 1871. [71] On February 22, 1914, before Hearst had barred the New York American from mentioning McCay's vaudeville work, a columnist in the paper called the act "a laugh from start to finish  ... far funnier than his noted mosquito drawings". Gertie the Dinosaur is the earliest animated film to feature a dinosaur. [2], Winsor McCay (c. 1867–71 – 1934)[a] had worked prolifically as a commercial artist and cartoonist by the time he started making newspaper comic strips such as Dream of the Rarebit Fiend (1904–11)[b] and his signature strip Little Nemo (1905–14). Not an art, but a trade. [85] Mendelsohn and Brotherton tried fruitlessly to find an institution to store McCay's films until the Canadian film conservatory the Cinémathèque québécoise approached them in 1967 on the occasion of that year's World Animation Film Exposition in Montreal. ", https://en.wikipedia.org/w/index.php?title=Gertie_the_Dinosaur&oldid=1006444803, Short films with live action and animation, United States National Film Registry films, Short description is different from Wikidata, Wikipedia articles with WorldCat-VIAF identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 12 February 2021, at 22:53. [41], In November 1914, film producer William Fox offered to market Gertie the Dinosaur to moving-picture theaters for "spot cash and highest prices". [40], Gertie the Dinosaur first appeared as part of McCay's vaudeville act in early 1914. [84] McCay destroyed many of his original cans of film to create more storage space. McCay first used the film before live audiences as an … On the indifference of American institutions to the task, John Canemaker quotes children's book illustrator, Animation in the United States during the silent era, List of films in the public domain in the United States, "Complete National Film Registry Listing | Film Registry | National Film Preservation Board | Programs at the Library of Congress | Library of Congress", https://www.annecy.org/programme/index:rdv-200001501093, "The Presence of the Artist: Kim Deitch's Boulevard of Broken Dreams vis-a-vis the Animated Cartoon", "Terrible Lizard! Of what he kept, much has not survived, as it was photographed on 35mm nitrate film, which deteriorates and is flammable. McCay's employer William Randolph Hearst curtailed McCay's vaudeville activities, so McCay added a live-action introductory sequence to the film for its theatrical release renamed Winsor McCay, the Famous Cartoonist, and Gertie. McCay imbued her with a personality—while friendly, she could be capricious, ignoring or rebelling against her master's commands. [73], A fake version of Gertie the Dinosaur appeared a year or two after the original; it features a dinosaur performing most of Gertie's tricks, but with less skillful animation, using cels on a static background. This Gertie the Dinosaur project has been designed and pre-produced by artists and professionals with credits on films such as Jurassic Park: Lost World, Mars Attacks, Beauty and the Beast, Aladdin, The Iron Giant, and studios including Walt Disney, DreamWorks, Warner Brothers, Industrial Light and Magic, Fox, Nickelodeon, and more. One of the earliest animated cartoons, the film was originally created for McCay's Vaudeville performances. Winsor McCay had made two animated films before "Gertie". That is how I conceived it. Theatrical Cartoon Pictures and Posters. U.S.A. Although not the first animated film, as is sometimes thought, it was the first cartoon to feature a character with an appealing personality. Canada, anywhere from 1867 to 1871 (his birth records no longer exist). McCay began the show making his customary live sketches, which he followed with How a Mosquito Operates. The character was not developed by Walt Disney, but by newspaper cartoonist Winsor McCay, who was later considered by many (including Walt) to be a pioneer in early animation. Gertie The Dinosaur. [49] McCay accepted, and extended the film to include a live-action prologue[n] and intertitles to replace his stage patter. It turns out that this monstrous dino is actually a tribute to Gertie the Trained Dinosaur, who was one of the first popular animated characters in the history of film. He initiated a restoration of the entire film and, with animation historian Donald Crafton, proposed a reconstruction of McCay's vaudeville performance. [91] Gertie has been selected for preservation in the US National Film Registry. "[43], McCay originally used a version of the film as part of his vaudeville act. Gertie the Dinosaur is an animated short film produced by vaudeville act Winsor McCay in 1914. [30], The show soon moved to New York. Running Time: 12 minutes. McCay abandoned a sequel, Gertie on Tour (c. 1921), after producing about a minute of footage. [87] He and Disney animator Richard Huemer recreated the original vaudeville performance for the Disneyland television program in 1955;[72] this was the first exposure the film had for that generation. In the original vaudeville version, McCay used an apple rather than a pumpkin. Its huge success should have been the springboard for happiness and good fortune for Winsor McCay … McCay would enter the stage, cracking a whip, and calling forth Gertie. The cartoon would then roll, and McCay would put Gertie through her various “tricks” as if she were real and he was her trainer.

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